Finding these amazing moments in plays when we actually somehow touch the invisible is often missing from the plays that we see because we do not acknowledge these moments as part of life. We dismiss them as sentimental or ‘unreal’, when they are not. Anton Chekhov’s plays in particular are full of these extraordinary moments. And these moments are open to us as artists continually; but, and this is really important, these moments where we cross the boundary are not peculiar to sensitive artistic souls; they happen to everyone . One of the chosen pieces from this exquisite book we are using, To the Lighthouse, involves the servant cleaner, Mrs. McNab remembering the old lady who owned the house. These moments we all have illuminate both character and audience; a quick flash and they are gone. Or they can be great moments of destiny, where the character sees themselves in the whole panoply of history.
If art connects the living and the dead, the numinous and the everyday , then we need to consider occasionally how on earth we can make this connection happen authentically in a play or film. How do we make this alchemy happen ? Is it always something that only happens by accident? I do not think that is the only way these connections are made. These connections between the tangible and intangible happen to us in life at moments of selflessness or crisis, like when someone endangers their own life for someone else or at times of,instability like the Covid crisis. A moment when this happens is when someone brings a gift. Recently, a neighbour brought four new cups and saucers to the house as a gift. There were many levels on which I experienced this simple act of generosity. I had had a bad day wrestling with the internet company and was quite overwhelmed by his generosity. The fact that somehow I felt the universe was protecting me on some level was quite profound. I am sure some more sceptical people would say this was a delusion but that did not stop me experiencing it deeply. Whether it was the meaning, it felt like it was. Of course on another level a neighbour was simply bringing me some crockery which would be very useful. These levels of experience stirred inside me and created a response.
This search for the intangible requires an understanding in us of how we respond to events and how many things go on inside us at any given moment. I remember the first time I did the Chekhov exercise where you were asked to connect to an object whilst walking around the room, then chat to a fellow participant whilst at the same time imagining singing a song! What I learned is that it is hard to keep everything going but our minds flit from one focus to another, sometimes accentuating the song and sometimes the object, or sometimes the conversation. That has been my experience in ‘real life’. The exercise illuminates the amazing complexity of multi-layered response.
Declan Drohan and I will be exploring these elements online with PLAYING ON THE CUSP on July 19 between 3 and 7 pm GMT online. email firstname.lastname@example.org. Very exciting. As always Chekhov work goes to interesting unusual places. There are still a couple of spots.